His work became as eclectic as it is intensive - wire sculptures of sirens, demons, rusty buckets, AI, photography of abandoned resort towns, found footage of steel laborers, kitschy websites, little dioramas of old railroad systems, billboards, steel mills. That spot is what first gave Elozua the space to expand on his different interests in American history, something he said he is a lot better educated in than art. Combined with his interest in Americana aesthetics, he got a gallery spot in New York City with the same curator who discovered Andy Warhol. history classes where he fell further into his niche history holes of American infrastructure and labor, and he took ceramics.Įlozua wasn’t good at throwing pottery, so it was a happy accident when his non-functional bowls that needed posts to stand up were rightfully noticed for their artistic merit. To pay for college, Elozua worked at a steel mill because he wanted to make an impact, to do hard work, to sweat, he said. But the museum can’t begin to capture his entire body of work, so the exhibit focuses on three materials: glass, steel and ceramic and how they wrap around and into each other in Elozua’s creations.Įlozua was born into the steel industry to two immigrant parents on the south side of Chicago, blue-collar workers.
The Everson’s exhibit, “Structure/Dissonance,” which is on display until the end of the year, captures this time period through the work of artist Raymon Elozua. Once loud, smoky centers for creating the beams and banisters that made up the American industrial landscape lay quiet, still, rusted and corroded. Many American blue collar workers who had only ever spent the days in hot sweat of the steel mill were laid off, left unable to provide for the family that the steel mills had offered them the situation to create.Įventually, the mills themselves were abandoned.
And for a while, everyone profited.īut in 1980, employment in the steel mills halved when global competition outpaced American output. Laborers dug out raw materials to be melted, mixed, shut into a furnace, cooked, hardened and shaped. In the 40s and 50s, the American manufacturing economy was booming - particularly steel. Sitemap Page was generated in 0.To support student journalism and the content you love, become a member of The Daily Orange today.
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